Metals

Almost hidden on a funky old pier along San Francisco’s waterfront, Autodesk, a world leader in digital tools for makers, is running a prototype shop that seems more like a high-tech playground for grown-ups. In between contracts to make, say, a steel ship propeller with a massive 3-D printer, the company takes in sculptors, engineers, and architects who are pushing the boundaries of their own work. The effect of all this energy is a level of innovation that is expanding—and perhaps redefining—the meaning of craftsmanship.

As we inch closer to another summer, a tinkerer’s mind is likely to go looking for the chance (and the time) to build that rare, handmade item that he or she has always fantasized about. To inspire such glorious flights of fancy, last spring we created a guide—the first of its kind—to the most respected…

Hugo Kohl makes his vintage-style jewelry in six different precious metals, from silver to gold and platinum, and from 14 karat to 18 karat levels of metal quality. Society of North American Goldsmiths (SNAG) is an international nonprofit organization that serves as the primary organization of jewelers and metal artists in North America. It advances…

Ross Shafer made his mark creating a popular brand of mountain bikes, called Salsa, and a line of small but crucial bicycle parts that no one had brought to the market before. Now he’s making what might be the world’s most beautiful “pedal steel guitar.” Might Shafer’s relentless eclecticism offer a model for a kind of second Renaissance?

Anyone who knows bicycles knows Brooks—the legendary, iconic British company that has been making simple, old-fashioned leather bicycle saddles since 1882. In the ensuing years, many have tried to improve on these seats with new designs and new materials. Yet the consensus remains: Nothing can beat a Brooks, which celebrates the brand’s 150th anniversary this year. So of course we had to go see how these saddles get made.

In the 1960s, Shinola, the venerable American shoe-polish company that became famous for a World War II soldier’s crack, “You don’t know shit from Shinola,” shut its doors. The move was a fitting bookend to the golden age of American manufacturing. Then, in 2011, a Texas developer revived the name as a maker of watches, leather goods, and retro bicycles in the broken heart of downtown Detroit, where, the company says, “American is Made.” Is making things in America again that easy?

When an American made, battery powered, quartz watch costs $1,500, and its counterparts from other countries, including Switzerland, range from $50 to more than $50,000, what’s the difference between them all? A quick dive into the eternal appeal of wrist sculptures.

Boutiques selling hip shoulder bags seem to be all the rage these days. Some look rustic enough to take into the woods, some more suited to the streets of Manhattan. With all these offerings, how does an eager consumer judge quality? Herewith, a visit with four contrasting American leathercrafting shops. And a little story about Marv Obenauf, a former firefighter turned master artisan of leather dressings.

In the 1500s, a Spanish bishop turned a collection of pueblos around the Mexican town of Patzcuaro into a center for craftsmanship. The people here are still making and marketing their wares in much the same way they did hundreds of years ago. Now they have to overcome tourists’ fears about drug traffickers, real or not.