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The Sculptor vs. The Robots

As automation spreads, even into the world of fine art, an American sculptor proudly holds the barricades with the tools, techniques, and even the marble source used centuries ago by Michelangelo. Which side will prevail?

By THOMAS COOPER

Venice and the High Art of the Mask

Many cultures have enjoyed the playful freedom that one feels after donning a mask. But no place has taken it to greater extremes, both elegant and diabolical, than Venice. A tour of the world of Venetian masks, and the annual Carnival mega-party they have inspired.

Written by ERLA ZWINGLE
Photography by RICCARDO ROITER RIGONI and ERLA ZWINGLE

Italy’s Ancient Textile-Printing Mangle

Only a handful of artisans still practice the centuries-old craft of rust printing on fabric. Of those who do, even fewer use the traditional stone mangle, or press, on handwoven, raw hemp fabric, yielding textiles that can last for centuries. The Marchi family printworks, in Italy’s Romagna region, may well be the only place left in the world that still produces authentic, rust-printed textiles that are fully handmade.

Story and Film by LUISA GROSSO

Colorado’s Marble Motherlode

Deep in Colorado’s Rocky Mountains, almost hidden in a steep canyon that bottoms out 8,000 feet above sea level, sits an old mining town that provided marble for some of America’s most famous memorials. Abandoned and revived over and over through the years, the town of Marble is now enjoying another new life, in both industry and the arts.

Written by DENISE MOSS
Photography by DENISE MOSS and TODD OPPENHEIMER

Pablita Velarde’s Legacy: The Pueblo Artisans of the American Southwest

Among the different Indigenous cultures represented by the Southwest’s Native American tribes, some of the richest history of craftsmanship has been, and still is, practiced by the Pueblo Indians. For some of these artisans, the inspiration for carrying on came from an early artistic pioneer: a rebel painter named Pablita Velarde.

Written by DANIEL GIBSON
Photography by KITTY LEAKEN

The Clay Conjurer

Felipe Ortega devoted his life to creating the perfect pot of beans—and to teaching people from around the world, regardless of ethnicity, to make micaceous clay pots in the same style he learned from a local tribal Elder. Over the years, Ortega’s journey involved such an unusual combination of the traditional and the nontraditional that it brought some old questions into a new light: Who owns a tradition? Who is allowed to learn and practice it, and for what purpose?

Written by DEBORAH BUSEMEYER and THE EDITORS OF CRAFTSMANSHIP MAGAZINE
Photography by KITTY LEAKEN

Painting for Eternity

For anyone who appreciates the intricately decorated walls and ceilings found in many Old World houses of worship, some of the finest examples of the form can be found in the mosaics of Ravenna, Italy. This tradition is so central to Ravenna’s culture that the city continues to produce world-renowned mosaic artisans. One, who you will meet in this film, is an innovative artist named Francesca Fabbri.

A Film by LUISA GROSSO

Food Shift

In an era of chronic drought, could desert crops become the new sustainable dinner?

By CHRISTOPHER D. COOK

Keepers of Indigenous Tradition

Unlike most Indigenous Peoples of the Americas, many Native American tribes located in the Southwest have retained their ancestral homelands and their sovereign governance through the ages. This has enabled their traditional ways and art forms not only to survive, but also to continue evolving. To understand how this came to pass, our writers peek into the region’s long and colorful history.

Written by ROSEMARY DIAZ and DANIEL GIBSON

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