Design, Fashion, and Lifestyle

Everyone in the fashion world wants to find a more sustainable, environmentally friendly way to make cotton clothing—or a benign (and equally comfy) alternative to it. In Scandinavia, an enterprising cadre of materials scientists is on the brink of succeeding. But almost no one appreciates these innovations’ social costs.

Amidst the fashion world’s growing interest in the luxuriously soft fabric that can be made from South American camelids like alpaca, one member of this family with uncommonly fine fleece has been largely ignored: the guanaco, the alpaca’s feisty cousin. Enter Adriana Marina, who is fighting for the guanaco’s place on the commercial stage.

In southern Norway, in a small workshop at the bottom of a verdant, postcard-perfect valley, Annemor Sundbø gathers remnants, paintings, and authentic reproductions of traditional Norwegian sweaters. Her collections—along with her seven books on the subject—provide a window into the myths and meaning that were long woven into this legendary Nordic craft. Now she’s trying to bring back the sheep that grew Viking Norway’s unusually hardy wool.

When you put on a stylish jacket made of rayon, vegan leather, or even recycled plastic, are you sure you’re helping the planet more than if you had bought one made of animal leather? In this journey down a very twisted rabbit hole, sustainable fashion expert Alden Wicker, founder and editor-in-chief of EcoCult, finds answers that may not be particularly comfortable for the animal rights movement.

If you’re tired of smelling like everyone else, you can say ‘no’ to the big perfume houses, and their overpriced, generic scents. In a growing number of kitchen labs and small shops around the globe, small-scale perfume artists are bottling a world of intoxicating new scents. Some seem to give new meaning to the concept of time travel.

Woodworker and author Gary Rogowski makes the case for the Musée des Arts et Métiers as Paris’ best museum, and offers a guide to its extensive holdings.

“How I stumbled upon the world’s most perfect eating utensil”: Owen Edwards pays homage to the humble, essential spoon, particularly the version designed by the legendary Massimo Vignelli.

Who would think that a collection of sewing enthusiasts, dedicated to the anachronistic art of making old-fashioned clothes, would stumble onto a path that revives quality, comfort, ecological consciousness, and respect for the female form in all its varieties? Just ask the historical dress community’s thousands of followers.

In the middle of the Shenandoah Valley, in Harrisonburg, Virginia, Hugo Kohl has pulled off what might be the ultimate act of sustainability—at least regarding jewelry. Through years of painstaking, costly, often fruitless detective work, he rescued an era of early American jewelry manufacturing technology that was on the brink of extinction. Now Kohl is one of the few people in the world making a class of vintage jewelry that is truly authentic. And he swears that the system in his shop is the only way to do capitalism.