Who would think that a collection of sewing enthusiasts, dedicated to the anachronistic art of making old-fashioned clothes, would stumble onto a path that revives quality, comfort, ecological consciousness, and respect for the female form in all its varieties? Just ask the historical dress community’s thousands of followers.
By BETH WINEGARNER
Every few years, some new razor system hits the market pledging to save your face and your pocketbook. Virtually all of them miss the boat, because the golden age of shaving occurred 50 years ago. The good news is that all that vintage gear is still available, and a few entrepreneurs are now making beautiful modern versions. A visit with the American craftsmen who are making what might be the best of those razors.
Story and Photography by TODD OPPENHEIMER
In the middle of the Shenandoah Valley, in Harrisonburg, Virginia, Hugo Kohl has pulled off what might be the ultimate act of sustainability—at least regarding jewelry. Through years of painstaking, costly, often fruitless detective work, he rescued an era of early American jewelry manufacturing technology that was on the brink of extinction. Now Kohl is one of the few people in the world making a class of vintage jewelry that is truly authentic. And he swears that the system in his shop is the only way to do capitalism.
By ALISON MAIN
When Bob Kramer decided it was time to make his own cutlery, he had no idea that his career turn would take him deep into the secret lives of knives. Now he’s established a reputation as one of the most revered bladesmiths in the world—playing David to the Goliath cutlery manufacturers of Germany and Japan.
Story by TODD OPPENHEIMER
Photography by MICHAEL MATISSE and MARTY NAKAYAMA
In a small brick building in East London, in a school developed by His Royal Highness The Prince of Wales, students from around the world are giving new life to a set of artistic principles that have been nearly lost. Their work is helping to revive a number of nearly obsolete skills in art, architecture, and manufacturing, with a new tilt toward sustainability.
By TODD OPPENHEIMER
With gumption, insight, and brilliant use of social media, a few guys in Virginia built an operation that makes what could be the world’s finest toolbelts. In the process, they have also built a community that is bringing new respect for those who work in the trades.
Story by LORRAINE SANDERS
Photography by SOPHIA BAIN
The word artisanal has become so shopworn that it’s almost devoid of meaning. (To wit: we once saw a pizza outlet on the outskirts of a small town in northern France that was fashioned in the style of an ATM-kiosk under the following sign: “Artisanal Pizza.”) In stark contrast to this sorry state of affairs, we would like to suggest a few items for holiday shopping made by some of the masters we profiled in 2019.
By EDITORS OF CRAFTSMANSHIP QUARTERLY
For 15 years, the world’s folk art makers and enthusiasts have gathered, en masse, in Santa Fe, New Mexico, to celebrate the possible when it comes to indigenous craftsmanship. This summer, in just three days, some 21,000 people spent $3.3 million to show that traditional artisans still matter.
Story by DEBORAH BUSEMEYER
Photography by KITTY LEAKEN
Gorgeous pens have always symbolized the art of writing at its finest—the quintessential combination of beauty, tradition, and skill. But did you ever think of the fountain pen as a tool of environmental consciousness? Our author certainly does. Considering the fountain pen’s myriad varieties, and the powers of vintage pens in particular, he also shops very selectively, cleans his pens regularly, and searches for (and sometimes even makes) the perfect ink.
By TIM REDMOND