Most artisans struggle to pay the bills, hoping for a little good press along the way. Ann Morhauser started with all of those odds, and then some, in a tiny studio near Santa Cruz, California. Today she runs a nationally renowned business, with glassware featured in stores across the country—and in the Smithsonian. What was her secret?
By PEGGY TOWNSEND
In a corrugated tin shed that somehow survived California’s massive fires in Sonoma Valley, Gary Freeman labors to keep old VW Beetles and vans—the cars that defined the counterculture of the 1960s—chugging along. Some become great “daily drivers” for as little as $15,000; some get auctioned for more than $200,000. It’s all part of one man’s quest for automotive immortality.
By OWEN EDWARDS
Photography by ANDREW SULLIVAN
Jill Giordano makes women’s clothing in what might be called sustainable designs: coats, pants, and dresses made with fine fabrics in timeless styles, and in combinations that can be mixed and matched any number of ways. Welcome to the art of “system” dressing—with quality. The goal: Improve your look, save the planet, and save money.
By LAURA FRASER
The word artisanal has become so shopworn that it’s almost devoid of meaning. (To wit: we once saw a pizza outlet on the outskirts of a small town in northern France that was fashioned in the style of an ATM-kiosk under the following sign: “Artisanal Pizza.”) In stark contrast to this sorry state of affairs, we would like to suggest a few items for holiday shopping made by some of the masters we profiled in 2016.
By SHARON TILLEY
Since the communist revolution of 1959, Cuba has been on an economic rollercoaster. The country has lurched from dependency to self-sufficiency, in a bubble of isolation where technological time stopped. Our correspondent visits the artists and self-taught engineers who have kept Cuba running throughout its bizarre ride.
Story and photography by ROB WATERS
In the 1960s, Shinola, the venerable American shoe-polish company that became famous for a World War II soldier’s crack, “You don’t know shit from Shinola,” shut its doors. The move was a fitting bookend to the golden age of American manufacturing. Then, in 2011, a Texas developer revived the name as a maker of watches, leather goods, and retro bicycles in the broken heart of downtown Detroit, where, the company says, “American is Made.” Is making things in America again that easy?
By LAURA FRASER
When an American made, battery powered, quartz watch costs $1,500, and its counterparts from other countries, including Switzerland, range from $50 to more than $50,000, what’s the difference between them all? A quick dive into the eternal appeal of wrist sculptures.
By TODD OPPENHEIMER
Boutiques selling hip shoulder bags seem to be all the rage these days. Some look rustic enough to take into the woods, some more suited to the streets of Manhattan. With all these offerings, how does an eager consumer judge quality? Herewith, a visit with four contrasting American leathercrafting shops. And a little story about Marv Obenauf, a former firefighter turned master artisan of leather dressings.
Story by TODD OPPENHEIMER
Photography by ROMAIN BLANQUART, SCOTT CHERNIS, SHAWN LINEHAN, and courtesy of L.P. STREIFEL
If you’re curious about the offerings beyond (or before) today’s over-priced, plasticized, landfill clogging shaving gear, we’ve got you covered. A collector of traditional shaving tools, and a prolific writer on the topic, offers a primer—and some very wise buying tips. Male readers in particular, beware: It is very easy to get hooked on this stuff.
By MICHAEL HAM