Brian Boggs is a fine furniture maker in Asheville, N.C., and he just can’t seem to leave a good idea alone. The result has been a lifetime of tinkering and experimentation, leading to a line of innovative woodworking tools, and some of the world’s finest, and most comfortable, hardwood chairs.
By JANINE LATUS
Photography by MICHAEL OPPENHEIM
In a small brick building in East London, in a school developed by His Royal Highness The Prince of Wales, students from around the world are giving new life to a set of artistic principles that have been nearly lost. Their work is helping to revive a number of nearly obsolete skills in art, architecture, and manufacturing, with a new tilt toward sustainability.
By TODD OPPENHEIMER
Everyone in the fashion world wants to find a more sustainable, environmentally friendly way to make cotton clothing—or a benign (and equally comfy) alternative to it. In Scandinavia, an enterprising cadre of materials scientists is on the brink of succeeding. But almost no one appreciates these innovations’ social costs.
Story and photography by ALDEN WICKER
The word artisanal has become so shopworn that it’s almost devoid of meaning. (To wit: we once saw a pizza outlet on the outskirts of a small town in northern France that was fashioned in the style of an ATM-kiosk under the following sign: “Artisanal Pizza.”) In stark contrast to this sorry state of affairs, we would like to suggest a few items for holiday shopping made by some of the masters we profiled in 2019.
By EDITORS OF CRAFTSMANSHIP QUARTERLY
Only a handful of artisans still practice the centuries-old craft of rust printing on fabric. Of those who do, even fewer use the traditional stone mangle, or press, on handwoven, raw hemp fabric, yielding textiles that last for centuries. The Marchi family print-works, in Italy’s Romagna region, may well be the only place left in the world that still produces authentic, rust-printed textiles that are fully handmade.
Story and Film by LUISA GROSSO
Amidst the fashion world’s growing interest in the luxuriously soft fabric that can be made from South American camelids like alpaca, one member of this family with uncommonly fine fleece has been largely ignored: the guanaco, the alpaca’s feisty cousin. Enter Adriana Marina, who is fighting for the guanaco’s place on the commercial stage.
By ALDEN WICKER
In southern Norway, in a small workshop at the bottom of a verdant, postcard-perfect valley, Annemor Sundbø gathers remnants, paintings, and authentic reproductions of traditional Norwegian sweaters. Her collections—along with her six books on the subject—provide a window into the myths and meaning that were long woven into this legendary Nordic craft. Now she’s trying to bring back the sheep that grew Viking Norway’s unusually hardy wool.
Story by SARAH POLLOCK
Photography by MIKKEL AALAND
On the Northeastern coast of Italy, not far from meccas of refinement such as Bologna and Florence, an unusual drug treatment community named San Patrignano has grown and thrived for more than 40 years. The program’s methodology? Teach addicts high-level artisanal skills, and slowly but surely, confidence and pride fill what was once a desperate void.
By LAURA FRASER
If you’re tired of smelling like everyone else when you go out on the town, you can finally say ‘No’ to the big perfume houses, and their over-priced synthetic scents. In a growing number of kitchen labs and small shops around the globe, small-scale perfume artists are bottling a world of intoxicating new scents. Some seem to give new meaning to the concept of time travel.
By BARBARA TANNENBAUM