Ann Morhauser, The Glass Builder
Many artisans struggle to pay the bills, hoping for a little good press along the way. Ann Morhauser started with all of those odds, and then some, in a tiny studio near Santa Cruz, CA. Today, her unique glassware is featured in stores across the country—and in The Smithsonian. How did she get here?
Written by PEGGY TOWNSEND
Photography by SHMUEL THALER
Jack Mauch: A New Renaissance Man
Craftsman Jack Mauch, still in his 30s, is already creating breathtaking examples of craftsmanship in everything from furniture-making to ceramics and metalwork. If this kind of range is what it takes to become a master artisan in today’s world, God help the rest of us mere mortals.
Written by NATALIE JONES
What? A Bamboo Bicycle?
OK, so some of them may look silly—brown and fat, with oversized joints. But Craig Calfee, a respected (and highly successful) carbon frame builder, swears by the strength, flexibility, and ecological value of the bamboo bicycle.
Written and photographed by JEFF GREENWALD
Brian Boggs, Master of the Chair
Brian Boggs is a fine furniture maker in Asheville, N.C., and he just can’t seem to leave a good idea alone. The result has been a lifetime of tinkering and experimentation, leading to a line of innovative woodworking tools, and some of the world’s finest, and most comfortable, hardwood chairs.
By JANINE LATUS
Photography by MICHAEL OPPENHEIM
Italy’s Last Maker of Traditional Wooden Hat Blocks
An homage, in film, to a third-generation Italian artisan who is the last maker of the traditional, handcarved wooden shapes used as hat blocks.
Story and Film by LUISA GROSSO
The Secret to Vintage Jeans
In November, 2017, the doors closed in North Carolina on Cone Denim’s White Oak plant, one of the first, and (for a while) the last, big textile mill in the U.S. to make vintage-style denim. When our correspondent first visited, he discovered that the secret to classic jeans has long come from a strange mix of obsolete machinery and American mythology. Now, after following other companies that moved manufacturing overseas, traditional Made-in-USA jeans might be coming back.
By BRIAN HOWE, with updated reporting by TODD OPPENHEIMER
The Human Cost of Recycled Cotton
Everyone in the fashion world wants to find a more sustainable, environmentally friendly way to make cotton clothing—or a benign (and equally comfy) alternative to it. In Scandinavia, an enterprising cadre of materials scientists is on the brink of succeeding. But almost no one appreciates these innovations’ social costs.
Story and photography by ALDEN WICKER
Argentina’s Textile Crusader
Amidst the fashion world’s growing interest in the luxuriously soft fabric that can be made from South American camelids like alpaca, one member of this family with uncommonly fine fleece has been largely ignored: the guanaco, the alpaca’s feisty cousin. Enter Adriana Marina, who is fighting for the guanaco’s place on the commercial stage.
By ALDEN WICKER
Eco-Fashion’s Animal Rights Delusion
When you put on a stylish jacket made of rayon, vegan leather, or even recycled plastic, are you sure you’re helping the planet more than if you had bought one made of animal leather? In this journey down a very twisted rabbit hole, sustainable fashion expert Alden Wicker, founder and editor-in-chief of EcoCult, finds answers that may not be particularly comfortable for the animal rights movement.
By ALDEN WICKER