Arts and Entertainment

Many cultures have enjoyed the playful freedom that one feels after donning a mask. But no place has taken it to greater extremes, both elegant and diabolical, than Venice. A tour of the world of Venetian masks, and the annual Carnival mega-party they have inspired.

A writer searches Istanbul’s cafés and alleys for the king of the ney, an enigmatic — and at times, endangered — flute that has long been a mainstay of Muslim musical traditions.

Martha Mae Jones, a New York fabric artist, has built a rich (and financially successful) life by traveling to various countries, bouncing between art and political activism along the way. Throughout it all, she says, her creations, as well as her life choices, have come from heeding inner voices.

Martha’s Vineyard has long been seen as primarily a summer getaway paradise for the East Coast elite. Its reality, however, is far more complex. Dotted throughout the posh homes in this gorgeous island are substantial communities of minorities. One of the biggest and most popular, the town of Oak Bluffs, has welcomed and inspired generations of Black Americans, including an artist and doll maker named Janice Frame.

Undaunted by masks, social distancing, and sheltering-in-place orders, Jonathan Byrd continues to draw large audiences. They gather online to watch his band perform all by themselves, from a small stage at The Kraken, a North Carolina dive bar.

Like many American cities, Durham, N.C. has been turning once-abandoned factories into tech hubs and microbreweries. Over the decades, it has also been building a shared commitment to the poor, the disenfranchised, and people of color. Barry Yeoman, a veteran journalist who has lived in and loved Durham since 1985, digs into the city’s soul. And he discovers an architecture underneath this community with some unusual layers.

When you watch masterful stand-up comics perform, it seems like they are just naturally hilarious. Don’t kid yourself. This is hard work, requiring hours and hours of trial and error. To its masters, the art of comedy is a craft, not unlike the careful, step-by-step work required to make a fine piece of furniture.

Every night for the last 612 years, a man has been climbing 153 stone steps of Lausanne’s cathedral to call out the hour, telling the city that all is well. For the last 28 years, this ritual has fallen to Renato Häusler. “Here it is good values,” he says. “Wood, stone, history – nothing complicated.”

Eddie Muller has dedicated his life to finding, and restoring, lost films of the great Film Noir era of the 1940s and ’50s. At this point, Muller is much like one of his favorite characters—a beaten down but determined gumshoe, always looking for a lucky break. At stake: the preservation of our cinematic history, well beyond film noir.