Eddie Muller has dedicated his life to finding, and restoring, lost films of the great Film Noir era of the 1940s and ’50s. At this point, Muller is much like one of his favorite characters—a beaten down but determined gumshoe, always looking for a lucky break. At stake: the preservation of our cinematic history, well beyond film noir.
By BARBARA TANNENBAUM
The word artisanal has become so shopworn that it’s almost devoid of meaning. (To wit: we once saw a pizza outlet on the outskirts of a small town in northern France that was fashioned in the style of an ATM-kiosk under the following sign: “Artisanal Pizza.”) In stark contrast to this sorry state of affairs, we would like to suggest a few items for holiday shopping made by some of the masters we profiled in 2016.
By SHARON TILLEY
A dive into the twisted, obsessive, goofy world of Ken Krimstein, who draws cartoons for a range of magazines, including The New Yorker. What does this art form tell us about the nature of humor, and cartooning’s lure?
By LORI ROTENBERK
Welcome to Craftsmanship’s inaugural gift guide, where we list the best (or at least the most unusual) items that we could find during our first year exploring the artisan world. Our discoveries include fine kitchen knives, cooking pottery, guitars, harmonicas, alcoholic drinks, and, of course, some real children’s toys.
By JOHN MARCOM
Michael Montenegro is driven to put the products of his imagination into tangible, active forms. After he builds them—often in life-size form, with a rag-tag collage of materials—he becomes them, lives inside them, then delivers them to us with a zany vigor.
By LORI ROTENBERK
The late Butch Morris, a figure from the outer edges of jazz, reimagined conducting as a form of composition, coining his own word for the combination of the two.
Written by FRANCIS DAVIS