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The Art of the Joke

When you watch masterful stand-up comics perform, it seems like they are just naturally hilarious. Don’t kid yourself. This is hard work, requiring hours and hours of trial and error. To its masters, the art of comedy is a craft, not unlike the careful, step-by-step work required to make a fine piece of furniture.

By DAVID MUNRO

The Watchman of Lausanne

Every night for the last 612 years, a man has been climbing 153 stone steps of Lausanne’s cathedral to call out the hour, telling the city that all is well. For the last 28 years, this ritual has fallen to Renato Häusler. “Here it is good values,” he says. “Wood, stone, history – nothing complicated.”

By MICHAEL CERVIN

Respectful Political Conversations: A Resource Guide

While today’s divisive political climate can certainly feel discouraging, the good news is that it has spawned a fertile variety of projects that aim to make discussion of the day’s issues more civil, more informed, and (one hopes) more productive. Here are the main players on the stage at the moment: One of the early…

The New Sign Painters

One would think that the invention of digital lettering for our commercial signs—on everything from shops to billboards—was nothing but an industrial step forward. As it’s turned out, yesteryear’s signs, which were all painted by hand, offered a beauty and personality that today’s automated version has been unable to duplicate; more important, a hand-made sign lasts much longer. Our correspondent explores what’s left of the old tradition, and stumbles on small but lively seeds of revival.

By LAURA FRASER
Photography by ANDREW SULLIVAN

Resources for Toy and Puppet Theatres

For another Craftsmanship story, “The Puppeteer,” I profiled an unusual puppet-maker and performer named Michael Montenegro. As it turns out, the puppet and toy theatre worlds share a lot of common ground—sometimes performing at the same festivals, and being active in the same organizations. Here, then, are some resources for both endeavors: The National Puppetry…

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