Paper

As the economy’s reliance on innovation grows, the offering of toys for girls remains–well, somewhat less than innovative. Fortunately, a few smart women are starting to solve this problem by reviving the time-honored principles of tinkering, this time for girls.

Master book restorer Pietro Livi couldn’t find the right equipment to save large numbers of Italy’s priceless, flood-damaged texts. So he created a “Renaissance workshop” of experts from a variety of disciplines, and designed his own.

In the city of Bologna, home to the world’s oldest university (as well as some of Italy’s finest cuisine), Pietro Livi has developed an unusual machine shop. Part artisanal and part high-tech, his operation is a kind of Renaissance workshop, built to restore damaged ancient texts to their former glory. And then came Venice’s historic floods of 2019.

On the Northeastern coast of Italy, an unusual drug treatment center uses craftsmanship — and the strength of community — to rehabilitate some of Europe’s most intractable drug addicts.

Spiritual faith has long been shaped by the lettering on a religion’s sacred texts. This is particularly the case with Judaism, so we visited three Hebrew scribes — in Jerusalem, New York City, and the liberal enclave of Berkeley, California — to understand why such laborious traditions continue.

On the Northeastern coast of Italy, not far from meccas of refinement such as Bologna and Florence, an unusual drug treatment community named San Patrignano has grown and thrived for more than 40 years. The program’s methodology? Teach addicts high-level artisanal skills, and slowly but surely, confidence and pride fill what was once a desperate void.

San Patrignano, a a 40-year-old community in Italy, uses craftsmanship to rehabilitate some of Europe’s most intractable drug addicts. And its success rates are stunning.

On the leafy edge of residential San Francisco, a simple Greek revival building that once served as a church for Christian Scientists has been transformed into the library of the future. Behold the world’s only Internet Archive—home to 11 million books and texts, 279 billion web pages, 100,000 software programs, and 120 statuettes, just to name a few of its holdings.

A dive into the twisted, obsessive, goofy world of Ken Krimstein, who draws cartoons for a range of magazines, including The New Yorker. What does this art form tell us about the nature of humor, and cartooning’s lure?