As the economy’s reliance on innovation grows, the commercial offerings of toys for girls remains, well, somewhat less than innovative. Fortunately, a few women who are educators, engineers, and entrepreneurs are starting to figure this problem out by reviving the time-honored principles of tinkering. But how could we have gotten so off track? One writer goes searching for the answer.
By DAVID MUNRO
In the depths of London, a “toy theatre” born in the 1800s continues to stage regular performances. In their heyday, these productions drew London’s top writers and artists, creating Victorian England’s version of the modern PR campaign. Replicas of these miniature theatres are still for sale.
By GARRETT EPPS
Many cultures have enjoyed the playful freedom that one feels after donning a mask. But no place has taken it to greater extremes, both elegant and diabolical, than Venice. A tour of the world of Venetian masks, and the annual Carnival mega-party they have inspired.
Story by ERLA ZWINGLE
Photography by RICCARDO ROITER RIGONI and ERLA ZWINGLE
Welcome to Craftsmanship’s inaugural gift guide, where we list the best (or at least the most unusual) items that we could find during our first year exploring the artisan world. Our discoveries include fine kitchen knives, cooking pottery, guitars, harmonicas, alcoholic drinks, and, of course, some real children’s toys.
By JOHN MARCOM
Michael Montenegro is driven to put the products of his imagination into tangible, active forms. After he builds them—often in life-size form, with a rag-tag collage of materials—he becomes them, lives inside them, then delivers them to us with a zany vigor.
By LORI ROTENBERK