Textiles

In Providence, Rhode Island, Janice McDonnell started one of the unlikeliest of revolutions. On seven empty lots in the inner city, she set up a new kind of playground—places where kids could build anything they want, break anything they want. Her larger goals? To fight the disappearance of free play brought on by the relentless testing that’s become the norm in today’s schools—and to spread playful opportunities to all children, not just those from wealthy white families.

In the inner city neighborhoods of Providence, Rhode Island, Janice O’Donnell set up playgrounds where kids could build anything they want, and break anything they want. She has been stunned by what everyone has learned in the process.

A Dutch archaeologist finds artisans and thought leaders who are redefining craft, skill and, ultimately, the real meaning of a knowledge economy. A Craftsmanship mini-documentary.

A Dutch archaeologist finds artisans and thought leaders who are redefining craft, skill and, ultimately, the real meaning of a knowledge economy: a short film presented by The Craftsmanship Initiative, in collaboration with The Centre for Global Heritage and Development.

Jill Giordano makes women’s clothing with fine fabrics in timeless styles, and in combinations that can be mixed and matched in multiple ways. The goal: Improve your look, save the planet, and save money.

In a tiny town on Italy’s Northeastern coast, the Marchi family printworks may be the world’s last shop to produce handmade, rust-printed textiles from raw hemp, using a massive stone press dating to the 1600s.

Only a handful of artisans still practice the centuries-old craft of rust printing on fabric. Of those who do, even fewer use the traditional stone mangle, or press, on handwoven, raw hemp fabric, yielding textiles that can last for centuries. The Marchi family printworks, in Italy’s Romagna region, may well be the only place left in the world that still produces authentic, rust-printed textiles that are fully handmade.

Michael Montenegro is driven to put the products of his imagination into tangible, active forms. After he builds them—often in life-size form, with a rag-tag collage of materials—he becomes them, lives inside them, then delivers them to us with a zany vigor.

Among the different Indigenous cultures represented by the Southwest’s Native American tribes, some of the richest history of craftsmanship has been, and still is, practiced by the Pueblo Indians. For some of these artisans, the inspiration for carrying on came from an early artistic pioneer: a rebel painter named Pablita Velarde.