Plastic

The practice of deliberately making goods not meant to last, or be repaired—a concept called “planned obsolescence”—was invented in America, perfected in America, and can now claim victory in leaving the U.S. with the world’s largest waste stream. Why are we so addicted to buying stuff that will soon be worthless? And what can we do to get off this destructive treadmill?

In the 1970s, Hohner, the world’s largest harmonica manufacturer, changed its flagship model, and in the process its signature sound. A few musicians and harp customizers waged a quiet rebellion. And they won.

A good conductor can lead an orchestra with almost anything — even a chopstick. Leonard Bernstein was known to conduct a full symphony with just his eyebrows. Why, then, in this age of cheap manufacturing, are handmade, custom conducting batons still in demand?

What makes people devote hours to the frustrating task of gluing together pieces so small you have to pick them up with tweezers? And does this obsessive hobby even matter anymore? To find out, a devotee of the art dives into Revell’s world of plastic models.

As the economy’s reliance on innovation grows, the offering of toys for girls remains–well, somewhat less than innovative. Fortunately, a few smart women are starting to solve this problem by reviving the time-honored principles of tinkering, this time for girls.

Ask almost any contemporary harmonica player who his heroes are, and Sonny Terry is usually the first name you’ll hear. A blind musician from the southeastern United States, Sonny Terry was already a force on the folk scene of the late 1930s when he paired up with guitarist Brownie McGhee in 1941. Among other things,…

While many people in arid regions of the world struggle just to find water, others in rain-soaked developing countries face a different challenge: getting water that is safe enough to drink. What will it take to turn their precious water clean—so they can stay healthy, and we can stop spending scarce resources on mountains of plastic water bottles?

As the economy’s reliance on innovation grows, the commercial offerings of toys for girls remains, well, somewhat less than innovative. Fortunately, a few women who are educators, engineers, and entrepreneurs are starting to figure this problem out by reviving the time-honored principles of tinkering. But how could we have gotten so off track? One writer goes searching for the answer.

Welcome to Craftsmanship’s inaugural gift guide, where we list the best (or at least the most unusual) items that we could find during our first year exploring the artisan world. Our discoveries include fine kitchen knives, cooking pottery, guitars, harmonicas, alcoholic drinks, and, of course, some real children’s toys.