In a simple, residential neighborhood in San Francisco sits a former church for Christian Scientists. The building’s white exterior and massive columns give it a stately, antiquated look. But behind its doors sit stacks of servers, which contain billions upon billions of web pages, media, and other delights. This is the Internet Archive. In today’s…
Against all odds, and despite the best efforts of Hollywood and Silicon Valley, old-fashioned, analog, motion-picture film is suddenly making a comeback. What’s the magic in this old medium that digital technology can’t seem to match?
Eddie Muller has dedicated his life to finding, restoring, and re-releasing lost films of the great Film Noir era of the 1940s and ’50s. His goal: the preservation of our cinematic history, well beyond film noir.
Against all odds, and despite the efforts of Hollywood and Silicon Valley to make movies in digital form, old-fashioned, analog, motion-picture film is suddenly making a comeback. What is it about the mystery and magic of celluloid that modern production methods, with all their high-tech tricks, can’t seem to match?
By DAVID MUNRO
A Dutch archaeologist finds artisans and thought leaders who are redefining craft, skill and, ultimately, the real meaning of a knowledge economy. A MINI-DOCUMENTARY presented by The Craftsmanship Initiative in collaboration with The Centre for Global Heritage and Development.
By TODD OPPENHEIMER
On the leafy edge of residential San Francisco, a simple Greek revival building that once served as a church for Christian Scientists has been transformed into the library of the future. Behold the world’s only Internet Archive—home to 11 million books and texts, 279 billion web pages, 100,000 software programs, and 120 statuettes, just to name a few of its holdings.
By TIM REDMOND
Photography by JESSICA BRANDI LIFLAND
Eddie Muller has dedicated his life to finding, and restoring, lost films of the great Film Noir era of the 1940s and ’50s. At this point, Muller is much like one of his favorite characters—a beaten down but determined gumshoe, always looking for a lucky break. At stake: the preservation of our cinematic history, well beyond film noir.
By BARBARA TANNENBAUM