Carving in Stone: Where to Go for Sculpting Classes
The National Sculpture Society’s executive director, Gwen Pier, has found that Fred Brownstein—the marble sculptor profiled in our Winter 2023 feature, “The Sculptor vs. The Robots“—is being joined by more and more sculptors who love doing figurative work. “There has been a swing back,” she says. In the 1950s, there was a rebellion against figurative…
Paula Wolfert and the Clay Pot Mystique
A gastro-scientific investigation of why cooks believe food tastes better (note: much better) when it’s cooked in a ceramic pot. Tour guide: Paula Wolfert, the legendary queen of American clay-pot cooking.
Written by TODD OPPENHEIMER
Photography by CLAIRE BLOOMBERG
Venice and the High Art of the Mask
Many cultures have enjoyed the playful freedom that one feels after donning a mask. But no place has taken it to greater extremes, both elegant and diabolical, than Venice. A tour of the world of Venetian masks, and the annual Carnival mega-party they have inspired.
Written by ERLA ZWINGLE
Photography by RICCARDO ROITER RIGONI and ERLA ZWINGLE
Pablita Velarde’s Legacy: The Pueblo Artisans of the American Southwest
Among the different Indigenous cultures represented by the Southwest’s Native American tribes, some of the richest history of craftsmanship has been, and still is, practiced by the Pueblo Indians. For some of these artisans, the inspiration for carrying on came from an early artistic pioneer: a rebel painter named Pablita Velarde.
Written by DANIEL GIBSON
Photography by KITTY LEAKEN
Listen to “The Clay Conjurer”
Felipe Ortega was known for his controversial opinions on culture, as well as his expertise with an unusual form of pottery. He devoted his life to bucking tradition, in more ways than one.
The Clay Conjurer
Felipe Ortega devoted his life to creating the perfect pot of beans—and to teaching people from around the world, regardless of ethnicity, to make micaceous clay pots in the same style he learned from a local tribal Elder. Over the years, Ortega’s journey involved such an unusual combination of the traditional and the nontraditional that it brought some old questions into a new light: Who owns a tradition? Who is allowed to learn and practice it, and for what purpose?
Written by DEBORAH BUSEMEYER and THE EDITORS OF CRAFTSMANSHIP MAGAZINE
Photography by KITTY LEAKEN
Painting for Eternity
For anyone who appreciates the intricately decorated walls and ceilings found in many Old World houses of worship, some of the finest examples of the form can be found in the mosaics of Ravenna, Italy. This tradition is so central to Ravenna’s culture that the city continues to produce world-renowned mosaic artisans. One, who you will meet in this film, is an innovative artist named Francesca Fabbri.
A Film by LUISA GROSSO
Keepers of Indigenous Tradition
Unlike most Indigenous Peoples of the Americas, many Native American tribes located in the Southwest have retained their ancestral homelands and their sovereign governance through the ages. This has enabled their traditional ways and art forms not only to survive, but also to continue evolving. To understand how this came to pass, our writers peek into the region’s long and colorful history.
Written by ROSEMARY DIAZ and DANIEL GIBSON
Listen to “Jack Mauch: A New Renaissance Man”
Jack Mauch was so eager to begin his life’s work as a craftsman that he didn’t even wait to finish high school, preferring to carve out his own path. And by age 32, he was already creating breathtaking examples of craftsmanship, in everything from furniture-making to ceramics to metalwork.
