A collection of sewing enthusiasts, dedicated to the anachronistic art of making old-fashioned clothes, stumbles onto a path that revives quality, comfort, ecological consciousness—and respect for the female form in all its varieties.
Who would think that a collection of sewing enthusiasts, dedicated to the anachronistic art of making old-fashioned clothes, would stumble onto a path that revives quality, comfort, ecological consciousness, and respect for the female form in all its varieties? Just ask the historical dress community’s thousands of followers.
By BETH WINEGARNER
In his new book “Material: Making and the Art of Transformation”, master furniture maker and designer Nick Kary explores the roots of craft, through stories of makers and their essential materials.
By WILLIAM BRYANT LOGAN
A review of “Material: Making and the Art of Transformation,” by Nick Kary (Chelsea Green Publishing, 2020)
In a small brick building in East London, in a school developed by His Royal Highness The Prince of Wales, students from around the world are giving new life to a set of artistic principles that have been nearly lost. Their work is helping to revive a number of nearly obsolete skills in art, architecture, and manufacturing, with a new tilt toward sustainability.
By TODD OPPENHEIMER
Fergus Garrett, one of the world’s preeminent gardening experts, talks about the art of making fine gardens, and fine gardeners. His tips are drawn from his years managing Great Dixter House & Gardens, the famously gorgeous and uncommonly diverse set of gardens that lie just outside London.
By THOMAS C. COOPER
Every few years, discussions about using straw as a building material, in bale form, come up again. Now, as our environmental challenges mount—from wildfires to hurricanes—straw bales seem to offer an answer to a good many of them. As we step into October, and the one-year anniversary of Northern California’s first wave of historic fires, it’s time to ask: Has the straw bale’s time finally come?
By MEA MCNEIL
Anyone who knows bicycles knows Brooks—the legendary, iconic British company that has been making simple, old-fashioned leather bicycle saddles since 1882. In the ensuing years, many have tried to improve on these seats with new designs and new materials. Yet the consensus remains: Nothing can beat a Brooks, which celebrates the brand’s 150th anniversary this year. So of course we had to go see how these saddles get made.
Story by GRACE RUBENSTEIN and JAMES DALY
Photography by JAMES DALY
Videos by GRACE RUBENSTEIN
In the depths of London, a “toy theatre” born in the 1800s continues to stage regular performances. In their heyday, these productions drew London’s top writers and artists, creating Victorian England’s version of the modern PR campaign. Replicas of these miniature theatres are still for sale.
By GARRETT EPPS