As today’s motorcycles become more high-tech, the simplicity of a vintage bike becomes more appealing. Among the simplest are Japanese models from the 1970s, particularly the Hondas. That’s why people visit Dave Stefani, whose San Francisco shop looks like a…
When Bob Kramer decided it was time to make his own cutlery, he had no idea that his career turn would take him deep into the secret lives of knives. Now he’s established a reputation as one of the most revered bladesmiths in the world—playing David to the Goliath cutlery manufacturers of Germany and Japan.
Story by TODD OPPENHEIMER
Photography by MICHAEL MATISSE and MARTY NAKAYAMA
Japanese master craftsmen can command up to $100,000 for turning bamboo into a fishing pole. Yet, this time-honored craft is at the brink of extinction — and it’s not the only one. How could this happen in a country that,…
While rural Japan may not be the first place one envisions as a production site for medieval and Renaissance-era instruments from Europe and Central Asia, this was precisely the craft of master instrument-builder Kōhaku Matsumoto, founder of the Catherina Early…
Just like cars, today’s motorcycles have become dizzying assemblages of electronic connections—invisible to most riders, inscrutable to many mechanics. The more high-tech these machines become, the more there is to love about classic, old bikes. Among the simplest of the pack are the Japanese motorcycles of the 1970s, particularly the Hondas. They’re also among the most loved, and that’s exactly what keeps Dave Stefani in business.
Story by OWEN EDWARDS
Photography by PETER BELANGER and ELI MIKITEN
Gorgeous pens have always symbolized the art of writing at its finest—the quintessential combination of beauty, tradition, and skill. But did you ever think of the fountain pen as a tool of environmental consciousness? Our author certainly does. Considering the fountain pen’s myriad varieties, and the powers of vintage pens in particular, he also shops very selectively, cleans his pens regularly, and searches for (and sometimes even makes) the perfect ink.
By TIM REDMOND
While Japanese master craftsmen command up to $100,000 for turning bamboo into a fishing pole, aspiring younger makers can barely find anyone to take them on as apprentices. And this isn’t the only time-honored Japanese craft at the brink of extinction. How could this happen in a country that, for centuries, has served as a model of hand-made perfection?
Story and photography by YUKARI IWATANI KANE