California

Against all odds, and despite the efforts of Hollywood and Silicon Valley to make movies in digital form, old-fashioned, analog, motion-picture film is hotter than ever. What is it about the mystery and magic of celluloid that digital production methods, with all their high-tech tricks, can’t seem to match?

A white stucco building with blue trim rises on the corner of 48th and Shattuck, just a block from the hotspots in Oakland’s buzzing Temescal district. Built in 1933 as the Ligure Club—a social center for the area’s Italian garbage men—it later became the Omni: a live music venue that hosted concerts by Blue Oyster…

As our timepieces have become increasingly digital (and their functions increasingly invisible), we’ve almost forgotten that these devices were once handmade masterpieces—with miniature gears, chains, springs, and balance wheels that kept time with amazing precision. Today, most watchmakers don’t even know how to repair these old mechanical wonders. Jean-Pierre Bourroux is a notable exception. A…

In many of our favorite gathering places—schools, churches, concert halls, jazz clubs—pianos still take center stage. Some of these instruments are still going strong more than a century after their birth. Come enjoy a remarkable documentary that follows one shop of technicians that keeps these beloved, complicated beasts alive. The best of these shops can also improve a piano, even when it’s well into its elderly years.

In a corrugated tin shed that somehow survived California’s massive fires in Sonoma Valley, Gary Freeman labors to keep old VW Beetles and vans—the cars that defined the counterculture of the 1960s—chugging along. Some become great “daily drivers” for as little as $15,000; some get auctioned for more than $200,000. It’s all part of one man’s quest for automotive immortality.

In a corrugated tin shed that somehow survived California’s massive fires in Sonoma Valley, Gary Freeman labors to keep old VW Beetles and vans—the cars that defined the counterculture of the 1960s—chugging along. Some become great “daily drivers” for as little as $15,000; some get auctioned for more than $200,000. It’s all part of one…

Of all the wind instrument players in an orchestra, oboists are among the few who have to spend more time making their reeds than playing their music. As the comic monologist Josh Kornbluth has painfully learned, just one of the myriad micro-adjustments that reed makers create will make a world of difference in their music.

Josh Kornbluth, perhaps best known as a comic monologist, is also an accomplished oboist. Here, Josh plays his oboe and talks about the challenges of reed-making for his instrument.

Oboists can spend more time making reeds for their instrument than playing their music. One such musician, the comic monologist Josh Kornbluth, has a lot to say about reed making’s painfully exacting process.