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Welcome to our Field Notes

Reports from the intersection of craft and culture: A mix of short narrative features, profiles, think pieces, and quick takes that reflect on—and beyond—our magazine issue themes.

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My First Design

Gary Rogowski, a master woodworker and furniture designer (and longtime Craftsmanship collaborator) reflects on how his first handmade bench came...

The Last Jacquard Silk Weavers

In Lyon, the silk-weaving capital of Europe for centuries, the rhythmic clatter of Jacquard Looms once emanated from about 30,000 workshops....

Measuring by Eye

Precision is more than a relative concept. One is not ‘sort of’ precise in furniture-making. Precision involves an attitude about the work;...

Calligraphy’s Hurdles

Picking up a longtime hobby, our publisher tries out some new calligraphy tools and techniques, only to find that mastering graceful script is...

Calligraphy alphabet sampler featuring blue blackletter script and red uncial script on parchment-style paper.

Calligraphy’s Magicians

by TODD OPPENHEIMER

Inside the quiet world of calligraphy, a robust subculture keeps the ancient craft alive by continuously evolving, blending tradition with innovation in unexpected ways....

simple wooden mallet resting atop wooden table, both showing signs of use and age

My Father’s Mallet

by GARY ROGOWSKI

After graduating college, I finally got up the nerve to quit trying to be what everyone else wanted me to be: priest, professor, or professional. My Lit major brain was tired from working up essays on nothingness. Working with my hands, now this...

The Moral Lessons of a Fountain Pen

by TODD OPPENHEIMER

Back in the day—in this case, from the early 1900s to around 1950—if someone wanted to write anything down with permanence, they reached for a pen of the kind one rarely sees anymore. These were called fountain pens, and their highly refined...

A Chiseled Education

By GARY ROGOWSKI

My understanding of the chisel, a common tool at my workbench, grew until I thought I knew everything about it. Then a revelation occurred that changed both my use of the tool and my sense of how I learned. Consider the mighty wedge, one of the...

The Artisan’s Paradox

By TODD OPPENHEIMER

It's a curious truth: In a world dominated by mass production, the finest handmade goods often cost less than their factory-made counterparts....

Keeping the Beat: Custom-Made Conducting Batons

Written by JEFF GREENWALD

A good conductor can lead an orchestra with almost anything — even a chopstick. Leonard Bernstein was known to conduct a full symphony with just his eyebrows. Why, then, in this age of cheap manufacturing, are handmade, custom conducting batons...

The Cowboy Folklorist

Written and photographed by MEREDITH LAWRENCE

Though he refers to himself as simply a "songster and storyteller," Andy Hedges is compiling a one-of-a-kind historical archive of cowboy music and poetry—and bringing the legends of the genre together on CD and stage....

Redesigning an Old Recipe: The School Lunch

Written by JEFF GREENWALD

Stereotypical school lunch fare (think fish sticks and frozen “pizza”) has been the butt of jokes for decades. It’s an industry ripe for change, and Chef Joan Gallagher is at the vanguard — blending culinary expertise with...

Shrine and the Art of Resilience

Written by MELINDA MISURACA

Pandemic, political strife, poverty, war. In times of extreme upheaval—global or personal—can the act of art-making ease suffering and strengthen resilience? photo by Melati Citrawireja The first time I met the outsider artist known as Shrine,...

The Little Block-Printing Workshop that Could

Written by RUTH ALDEN WICKER

“A rising tide doesn’t raise people who don’t have a boat. We have to build the boat for them. We have to give them the basic infrastructure to rise with the tide.” – Rahul Gandhi Padmini Govind awoke at 3 a.m. to...

Build Back with Beer (Craft Beer, to be Precise…)

Written by BEN SPEGGEN

When veteran journalists James and Deborah Fallows spent four years criss-crossing the U.S. looking for what makes small-town revivals succeed, they repeatedly found one near-constant: craft breweries There are various ways to measure the civic...

Congressman John Lewis’ Artistic Side

By MELANIE EVERSLEY

The late congressman’s civil rights legacy of “good trouble” is well-known, but his inner circle also knew him as an art lover and avid collector, particularly of works by Black artists. February 21 is the late Congressman John...

New Mexico’s Modern Saint-Makers

Written by ROSEMARY DIAZ

The carving and painting of santos, or devotional art, is one of the oldest living folk art traditions in the U.S., dating back some 400 years. As Semana Santa (Holy Week) marks the holiest of days for millions of Christians around the globe, we...

For Lifelong Artist Kimberly Camp, Art is Life

Written by PHERALYN DOVE Photography by VELVET McNEIL

“There’s no retirement for an artist; it’s your way of living, so there’s no end to it.” ― Henry Moore Following a long, influential career as an arts administrator, Kimberly Camp, 64, seems to be working harder than ever. And...

Can Japan’s Akiya Movement Rebuild Rural Communities?

Story by KIMBERLY HUGHES Photography by SOLVEIG BOERGEN

While rural Japan may not be the first place one envisions as a production site for medieval and Renaissance-era instruments from Europe and Central Asia, this was precisely the craft of master instrument-builder Kōhaku Matsumoto, founder of the...

In Your Words: Making Matters, More than Ever

By CRAFTSMANSHIP EDITORS

As part of our Spring issue theme, “Sheltering at Home Creatively”, we asked our Craftsmanship community to tell us: How has the coronavirus crisis affected your life and livelihood? Has it changed your values or priorities? Taken...

Film’s New Generation of Experimentalists

By DAVID MUNRO

In a recent article I wrote for Craftsmanship Magazine, “Real Film Strikes Back”, I tell the story of analog film’s surprising comeback in a motion picture industry that has become almost entirely digitized. Yet unbeknownst to most of us, there...

The Democratization of Craft

By TODD OPPENHEIMER

Earlier this month, some 400 devotees of the arts and crafts spent three days in Philadelphia exploring the meaning of their obsessions, and the possibilities of spreading the faith. The crowd was gathered by the American Craft Council, an...

The Intelligent Hand

By Todd Oppenheimer

For many anthropologists, their work involves delving into obscure corners of humanity’s past; for Trevor Marchand, a Canadian-born anthropology professor in England, the field offered him a way to look into the work of living master artisans,...

A Crucible for Tomorrow’s Trades

By TODD OPPENHEIMER

The nation’s largest non-profit facility dedicated to education in the industrial arts runs out of a seemingly simple warehouse in West Oakland, California. Fittingly called The Crucible, the venture was launched in January of 1999 by a mixed...

Crafting a More Human Future

By ERLA ZWINGLE

Exhibition “HOMO FABER” The intriguing title of this monster exhibition of European craftsmen and women, shown in Venice, Italy, during the final weeks of September, 2018, is not only clever, it’s also extremely efficient; faber translates...

Finding Your Ikigai in Craftsmanship

By ALAIN HAYES

The Japanese have a term for what we as human beings search for in life and it’s called Ikigai, or “the meaning of life.” Many people struggle to know exactly what their purpose is, which is why it’s important to never stop...

Craftsmanship and Community

By JENNIFER BOWERS

Connecting with like-minded makers both online and off The work of a craftsperson is precise, detailed and focused. It can also be solitary and isolating. As a hand engraver, most of my time is spent alone at my workbench, quietly focused. ...

An Inside Peek into Small Farm Life

By AMY ADAMS

To say that “fiber farmer” Tammy White is a busy woman would be an understatement. And to only address her as a farmer would certainly not encompass the many hats she wears. Add to the list: natural dyer, shepherdess, homesteader,...

My Adventures with Gold Leaf

By CHARLIE PLANT

When I was younger, I worked as a union painter in Los Angeles (District Council 36, Painters and Allied Trades), and in the early 1980s, I had the opportunity to work on a Bel-Air mansion that belonged to descendants of the late, great...

Catching Color in Food Waste

By AMY ADAMS

Onion skins, avocado pits, beet root tops and used coffee grinds — all items many people think have no other use than the compost pile. But food waste can actually have a much longer shelf life, in the form of natural dyes. Natural dyeing can be...

Felipe Ortega, The Clay Raven

By DEBORAH BUSEMEYER

The world recently lost a great talent. For those who were lucky enough to know him, Felipe Ortega’s passing runs deep, even more so because this craftsman was one of only a few master teachers left who handcraft micaceous-rich clay pots, just...

The Vanishing Generation of Italian Shoemakers

By TRACY LALASZ FINN

The Sustainability of an Important Craft It is commonly accepted if you are making high-end luxury shoes, the shoes are made in Italy regardless of where the brand is based, with few exceptions. Post-World War II, Italy flourished as a high-end...

New Life in the Scrap Heap

By WILL CALLAN

Three VW Restorers Find Beauty in All the Unexpected Places Amid mounting turmoil over Volkswagen’s diesel emissions scandal, the company has made an announcement that should help to re-polish its old, culture-defining image. At the Frankfurt...

Why Nothing Writes Like a Fountain Pen

By TIM REDMOND

A good fountain pen requires virtually no pressure—it just glides across the page. And the ink, which now comes in myriad colors, goes beyond creating letters. It seems to almost decorate a piece of paper. Starting off to find a fountain pen can...

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