The word artisanal has become so shopworn that it’s almost devoid of meaning. (To wit: we once saw a pizza outlet on the outskirts of a small town in northern France that was fashioned in the style of an ATM-kiosk under the following sign: “Artisanal Pizza.”) In stark contrast to this sorry state of affairs, we would like to suggest a few items for holiday shopping made by some of the masters we profiled in 2019.
While Scottish culture is branded by its famous Highland bagpipes, its neighbor across the water has long made a very different set of pipes that plays a much wider range of music. Our correspondent visits the indefatigable, obsessive masters of the uilleann pipes.
Centuries ago, a fleet of rowboats called Whitehalls plied the waters of the San Francisco Bay, helping the chandlers at their helms ferry goods to and from the giant sailing ships working the city’s port. Today, descendants of those early crafts are being built, rowed, and occasionally put to work on the same waters.
When a Disney film, “Coco,” spotlighted a small Mexican town where almost every shop makes guitars, it suddenly made ornate, white guitars famous. Underneath the new pop icon, however, lies a variety of much finer instruments—and a rich craft going back generations.
A Dutch archaeologist finds artisans and thought leaders who are redefining craft, skill and, ultimately, the real meaning of a knowledge economy.
A MINI-DOCUMENTARY presented by The Craftsmanship Initiative in collaboration with The Centre for Global Heritage and Development
For 15 years, the world’s folk art makers and enthusiasts have gathered, en masse, in Santa Fe, New Mexico, to celebrate the possible when it comes to indigenous craftsmanship. This summer, in just three days, some 21,000 people spent $3.3 million to show that traditional artisans still matter. A Craftsmanship PHOTO ESSAY.
Amidst political discussion about expanding apprenticeships in the U.S., two contradictory realities persist. One is a changing landscape, in both school and work, that increasingly needs a sound apprenticeship system; the other is the refusal by many parents to understand why a formal apprenticeship might make more sense for their children—and their finances—than four years of college.
When we went looking for the next member of our new and growing family—“Craftsmanship’s Young Turks”—Jack Mauch was an easy choice. At the age of 32, he’s already creating breathtaking examples of craftsmanship in everything from furniture-making to ceramics and metalwork. If this kind of range is what it takes to become a master artisan in today’s world, God help the rest of us mere mortals.
Almost hidden on a funky old pier along San Francisco’s waterfront, Autodesk, a world leader in digital tools for makers, is running a prototype shop that seems more like a high-tech playground for grown-ups. In between contracts to make, say, a steel ship propeller with a massive 3-D printer, the company takes in sculptors, engineers, and architects who are pushing the boundaries of their own work. The effect of all this energy is a level of innovation that is expanding—and perhaps redefining—the meaning of craftsmanship.