When we went looking for the next member of our new and growing family—“Craftsmanship’s Young Turks”—Jack Mauch was an easy choice. At the age of 32, he’s already creating breathtaking examples of craftsmanship in everything from furniture-making to ceramics and metalwork. If this kind of range is what it takes to become a master artisan in today’s world, God help the rest of us mere mortals.
Almost hidden on a funky old pier along San Francisco’s waterfront, Autodesk, a world leader in digital tools for makers, is running a prototype shop that seems more like a high-tech playground for grown-ups. In between contracts to make, say, a steel ship propeller with a massive 3-D printer, the company takes in sculptors, engineers, and architects who are pushing the boundaries of their own work. The effect of all this energy is a level of innovation that is expanding—and perhaps redefining—the meaning of craftsmanship.
In the middle of the Shenandoah Valley, in Harrisonburg, Virginia, Hugo Kohl has pulled off what might be the ultimate act of sustainability—at least regarding jewelry. Through years of painstaking, costly, often fruitless detective work, he rescued an era of early American jewelry manufacturing technology that was on the brink of extinction. Now Kohl is one of the few people in the world making a class of vintage jewelry that is truly authentic. And he swears that the system in his shop is the only way to do capitalism.
Ross Shafer made his mark creating a popular brand of mountain bikes, called Salsa, and a line of small but crucial bicycle parts that no one had brought to the market before. Now he’s making what might be the world’s most beautiful “pedal steel guitar.” Might Shafer’s relentless eclecticism offer a model for a kind of second Renaissance?
Anyone who knows bicycles knows Brooks—the legendary, iconic British company that has been making simple, old-fashioned leather bicycle saddles since 1882. In the ensuing years, many have tried to improve on these seats with new designs and new materials. Yet the consensus remains: Nothing can beat a Brooks, which celebrates the brand’s 150th anniversary this year. So of course we had to go see how these saddles get made.
When Bob Kramer decided it was time to make his own cutlery, he had no idea that his career turn would take him deep into the secret lives of knives. Now he’s established a reputation as one of the most revered bladesmiths in the world–playing David to the Goliath cutlery manufacturers of Germany and Japan.
Every few years, some new razor system hits the market pledging to save your face and your pocketbook. Virtually all of them miss the boat, because the golden age of shaving occurred 50 years ago. The good news is that all that vintage gear is still available, and a few entrepreneurs are now making beautiful modern versions. A visit with the American craftsmen who are making what might be the best of those razors.
Welcome to Craftsmanship’s inaugural gift guide, where we list the best (or at least the most unusual) items that we could find during our first year exploring the artisan world. Our discoveries include fine kitchen knives, cooking pottery, guitars, harmonicas, alcoholic drinks, and, of course, some real children’s toys.
When a promising rock musician tired of the road and the pressure, he gave up music and got a job at a hardware store. Then one day, he had a revelation.