Everyone in the fashion world wants to find a more sustainable, environmentally friendly way to make cotton clothing—or a benign (and equally comfy) alternative to it. In Scandinavia, an enterprising cadre of materials scientists is on the brink of succeeding. But almost no one appreciates these innovations’ social costs.
Nand Kishore Chaudhary has built one of India’s most successful hand-made carpet ventures by forging close ties to a community that most businesses on the continent shun: the poor, largely uneducated caste of citizens long referred to as “Untouchables.” To help his business grow, he’s also had to develop an apprenticeship system around India’s chronic battles with child labor. To Chaudhary, navigating these issues is the only way to honor the true meaning of sustainability. During a visit to Jaipur Rugs Company, our correspondent tries to figure out how all these pieces come together.
For 15 years, the world’s folk art makers and enthusiasts have gathered, en masse, in Santa Fe, New Mexico, to celebrate the possible when it comes to indigenous craftsmanship. This summer, in just three days, some 21,000 people spent $3.3 million to show that traditional artisans still matter. A Craftsmanship PHOTO ESSAY.
On December 31, 2017, the doorsl closed in North Carolina on Cone Denim’s White Oak plant, the first, and now the last, big textile mill in the U.S. to make vintage-style denim. When our correspondent visited, he discovered that the secret to classic jeans has long come from a strange mix of obsolete machinery and American mythology. And their future, it turns out, is not as bleak as you might expect.
When you put on a stylish jacket made of rayon, vegan leather, or even recycled plastic, are you sure you’re helping the planet more than if you bought one made of animal leather? In this journey down a very twisted rabbit hole, Alden Wicker—a frequent writer, blogger, and speaker on sustainable fashion—finds answers that may not be particularly comfortable for the animal rights movement.
In Burano—a tiny island four miles from the city of Venice—the ancient art of ultra-fine, hand-sewn lace somehow remains alive. And so does the equally ancient culture surrounding it. Our correspondent visits with the master craftswomen of Burano to learn their history, their secrets, and the prospects for their future.
Al Ruozi, age 97, is a high-school dropout whose primary invention was a machine, largely forgotten by now, that can help farmers save water, improve soil quality, and fight climate change.