Everyone in the fashion world wants to find a more sustainable, environmentally friendly way to make cotton clothing—or a benign (and equally comfy) alternative to it. In Scandinavia, an enterprising cadre of materials scientists is on the brink of succeeding. But almost no one appreciates these innovations’ social costs.
The word artisanal has become so shopworn that it’s almost devoid of meaning. (To wit: we once saw a pizza outlet on the outskirts of a small town in northern France that was fashioned in the style of an ATM-kiosk under the following sign: “Artisanal Pizza.”) In stark contrast to this sorry state of affairs, we would like to suggest a few items for holiday shopping made by some of the masters we profiled in 2019.
In the 1500s, a Spanish bishop turned a collection of pueblos around the Mexican town of Patzcuaro into a center for craftsmanship. The people here are still making and marketing their wares in much the same way they did hundreds of years ago. Now they have to overcome tourists’ fears about drug traffickers, real or not.
Amidst the fashion world’s growing interest in the luxuriously soft fabric that can be made from South American camelids like alpaca, one member of this family with uncommonly fine fleece has been largely ignored: the guanaco, the alpaca’s feisty cousin. Enter Adriana Marina, who is fighting for the guanaco’s place on the commercial stage.
A Dutch archaeologist finds artisans and thought leaders who are redefining craft, skill and, ultimately, the real meaning of a knowledge economy.
A MINI-DOCUMENTARY presented by The Craftsmanship Initiative in collaboration with The Centre for Global Heritage and Development
For 15 years, the world’s folk art makers and enthusiasts have gathered, en masse, in Santa Fe, New Mexico, to celebrate the possible when it comes to indigenous craftsmanship. This summer, in just three days, some 21,000 people spent $3.3 million to show that traditional artisans still matter. A Craftsmanship PHOTO ESSAY.
While the fashion industry continues to produce more and more clothing made from synthetics, with all their harmful effects, we’ve ignored the wonders of wool. The material is natural, durable, and endlessly renewable; more important, its creators (the sheep) can help regenerate the world’s drying, fire-prone landscapes. Fortunately, a wool revival seems to be underway.
On December 31, 2017, the doorsl closed in North Carolina on Cone Denim’s White Oak plant, the first, and now the last, big textile mill in the U.S. to make vintage-style denim. When our correspondent visited, he discovered that the secret to classic jeans has long come from a strange mix of obsolete machinery and American mythology. And their future, it turns out, is not as bleak as you might expect.
Jill Giordano makes women’s clothing in what might be called sustainable designs: coats, pants, and dresses made with fine fabrics in timeless styles, and in combinations that can be mixed and matched any number of ways. Welcome to the art of “system” dressing—with quality. The goal: Improve your look, save the planet, and save money.